Daniel A. Farber
University of California, Berkeley - School of Law
UC Berkeley Public Law Research Paper No. 1122064
A cadenza is a standard part of the concerto, originally intended to be improvised by the performer rather than supplied by the composer. This essay asks whether the Constitution contains cadenzas - that is, instructions for the interpreter to improvise upon the Constitution's grand themes. The best examples are the Ninth Amendment and the Privileges and Immunities Clause of the Fourteenth Amendment. I argue that both of these constitutional provisions call for the protection of unenumerated fundamental rights, leaving the specification and evolution of those rights to further elaboration. I also argue that foreign human rights protections as well as American traditions are relevant to that process of elaboration.
To continue the musical metaphor, the essay comes in four movements. The first movement reprises constitutional history and text; the second considers some methodological issues; the third sketches some applications, including abortion and homosexuality; and the fourth responds briefly to the qualms of legal formalists.
Number of Pages in PDF File: 26
Keywords: constitutional law, Ninth Amendment, Fourteenth Amendment, fundamental rightsworking papers series
Date posted: April 18, 2008
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