Abstract

http://ssrn.com/abstract=1181902
 
 

Footnotes (141)



 


 



Where the Bloody Hell Does Parody Fit in Australian Copyright Law?


Nicolas Suzor


Queensland University of Technology - Faculty of Law

July 28, 2008

Media & Arts Law Review, Vol. 13, No. 2, p. 218, 2008

Abstract:     
This article examines the role of the recently introduced fair dealing exception for the purposes of parody and satire in Australian copyright law. Parody and satire, while central to Australian expression, pose a substantial challenge for copyright policy. The law is asked to strike a delicate balance between an author’s right to exploit their work, the interests of the public in stimulating free speech and critical discussion, the rights of artists who rely on existing material in creating their own expression, and the rights of all artists in their reputation and the integrity of their works. This article highlights the difficulty parodists and satirists have historically faced in Australia and examines the potential of the new fair dealing exceptions to relieve this difficulty. This article concludes that the new exceptions have the potential, if read broadly, not only to bridge the gap between humorous and non-humorous criticism, but also to allow for the use of copyright material to critique figures other than the copyright owner or author, extending to society generally. This article will argue that the new exceptions should be read broadly to further this important policy goal while also being limited in their application so as to prevent mere substitutable uses of copyright material. To achieve these twin goals, I suggest that the primary indication of fairness of an unlicensed parody should be whether or not it adds significant new expression so as not to be substitutable for the original work.

Number of Pages in PDF File: 31

Keywords: parody, copyright, satire, australia, expression, fairness, substitutable

Accepted Paper Series


Download This Paper

Date posted: April 17, 2009  

Suggested Citation

Suzor, Nicolas, Where the Bloody Hell Does Parody Fit in Australian Copyright Law? (July 28, 2008). Media & Arts Law Review, Vol. 13, No. 2, p. 218, 2008. Available at SSRN: http://ssrn.com/abstract=1181902

Contact Information

Nicolas Suzor (Contact Author)
Queensland University of Technology - Faculty of Law ( email )
GPO Box 2434
Brisbane, Queensland 4001
Australia
HOME PAGE: http://nic.suzor.net/
Feedback to SSRN


Paper statistics
Abstract Views: 739
Downloads: 151
Download Rank: 114,439
Footnotes:  141

© 2014 Social Science Electronic Publishing, Inc. All Rights Reserved.  FAQ   Terms of Use   Privacy Policy   Copyright   Contact Us
This page was processed by apollo5 in 0.297 seconds