Of Coase and Comics, or, The Comedy of Copyright
Michael J. Madison
University of Pittsburgh - School of Law
May 1, 2009
Virginia Law Review in Brief, Vol. 95, p. 27, 2009
U. of Pittsburgh Legal Studies Research Paper No. 2009-15
This Essay responds to There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, by Dotan Oliar and Christopher Sprigman. It argues that case studies of disciplines and domains that may be governed by intellectual property regimes are invaluable tools for comparative analysis of the respective roles of law and other forms of social order. The Essay examines the case of stand-up comedy under a lens that is somewhat broader than the one used by the authors of the original study, one that takes into account not only the social norms of individual comics themselves but also features of the entertainment market - and particularly the market for record albums - that shaped comics' incentives and behaviors and comic content itself.
Number of Pages in PDF File: 17
Keywords: copyright, social norms, intellectual property, law and economics, emergence of property rights, stand-up comedy, commons, case studies
JEL Classification: D23, K11, L17, O34Accepted Paper Series
Date posted: May 1, 2009
© 2015 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollo2 in 0.360 seconds