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Copyright and Cultural Institutions: Guidelines for Digitization for U.S. Libraries, Archives, and MuseumsPeter B. HirtleCornell University Library Emily HudsonUniversity of Oxford - Saint Peter's College Oxford; University of Oxford - Oxford Intellectual Property Research Centre (OIPRC) Andrew T. KenyonUniversity of Melbourne Law School October 27, 2009 Peter B. Hirtle, Emily Hudson, and Andrew T. Kenyon, COPYRIGHT AND CULTURAL INSTITUTIONS: GUIDELINES FOR DIGITIZATION FOR U.S. LIBRARIES, ARCHIVES, AND MUSEUMS, Ithaca, NY: Cornell University Library Press, Forthcoming U of Melbourne Legal Studies Research Paper No. 434 Abstract: Digital communications technologies have led to fundamental changes in the ways that cultural institutions fulfil their public missions of access, preservation, research, and education. Institutions are developing publicly-accessible websites in which users can visit online exhibitions, search collection databases, access images of collection items, and in some cases create their own digital content. Digitization, however, also raises the possibility of copyright infringement. “Copyright and Digitization” aims to assist understanding and compliance with copyright law across libraries, archives, and museums. It discusses the exclusive rights of the copyright owner, the major exemptions used by cultural heritage institutions, and stresses the importance of “risk assessment” when conducting any digitization project. It also includes two cases studies, examining digitizing oral histories and student work. As well as free availability here, print copies are available for purchase via createspace.
Number of Pages in PDF File: 275 Keywords: copyright, cultural institutions, public access, online exhibitions, copyright and digitization JEL Classification: I2, I20, K1, K10, K19, Z1 Accepted Paper SeriesDate posted: November 2, 2009 ; Last revised: December 1, 2009Suggested CitationContact Information
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