The Dark Knight’s War on Terrorism
University of Auckland - Faculty of Law
Ohio State Journal of Criminal Law, Vol. p. 209, 2011
This article considers Christopher Nolan’s 2008 film, The Dark Knight, as a reflection on legality and security in the post-9/11 era. The article examines how the film depicts three specific counterterrorism policies associated with the war on terrorism (namely rendition, coercive interrogation and warrantless surveillance), and argues that none of the film’s depictions of these actions can properly be seen as endorsement of their Bush Administration-era equivalents. Accordingly, the film is better viewed as something other than an affirmation of the Bush Administration’s war on terrorism. Rather, as this article contends, the film is about the need for public resoluteness in the face of terrorism, and about the inherent limitations of relying on vigilantism. Therefore, unusually for a film about a superhero, the film is ultimately about reaffirming law, legal institutions, and popular courage.
Number of Pages in PDF File: 21
Keywords: Batman, Popular Culture, Terrorism, National Security, Rendition, Torture, Coercive Interrogation, Terrorist Surveillance Program
Date posted: March 25, 2010 ; Last revised: December 19, 2011
© 2015 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollo4 in 1.171 seconds