Piracy and Creation: The Case of the Music Industry
Telecom ParisTech; CREST
Université Paris 13
February 7, 2012
In this paper we propose a model which shows that the impact of copyright infringement on music artists depends on the type of revenue that they receive (royalties from record companies, profits for self-released artists, revenues from live concerts). We then test the hypotheses derived from the model on a dataset consisting of a survey of 710 artists representative of the whole population of French professional musicians. The results are consistent with our model in so far as: (i) those artists with a recording contract who do more live performances are more tolerant of piracy; and (ii) self-released artists are less tolerant of piracy, and that their attitude is therefore closer to that of record companies.
Number of Pages in PDF File: 19
Keywords: Copyright, Piracy, Music industry, Artists
JEL Classification: K42, L82, O34
Date posted: February 7, 2012
© 2015 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollo8 in 0.266 seconds