The Obligatory Structure of Copyright Law: Unbundling the Wrong of Copying
University of Pennsylvania Law School
Harvard Law Review, Vol. 125, Pg. 1664, 2012
U of Penn Law School, Public Law Research Paper No. 12-21
Modern discussions of copyright readily treat the institution as a government-sponsored mechanism for encouraging creativity. In so doing, they all too easily ignore its core private law architecture and the unique form of legal normativity that this brings to the institution and its functioning. This Essay unpacks copyright’s private law complex, and in so doing, makes three claims: First, that copyright theories ought to pay greater attention to the analytical structure of its entitlement framework, and the ways in which this structure is intended to operate in practice. Discussions of copyright law would do well to understand that the institution’s exclusive rights framework functions almost entirely through its creation of an obligation not to copy original expression. Second, that copyright can be usefully re-conceptualized as revolving around the “wrong of copying,” which originates in the right-duty structure that it creates. Reorienting discussions along these lines would allow for a more direct focus on why it treats copying as a wrong, what actions constitute the wrong, and the plural values that fruitfully co-exist within the private law structure of the institution. Third, that focusing on copyright’s internal logic need not come at the cost of its instrumentalism. To the contrary, it entails mediating the institution’s instrumentalism through its private law structure on a nuanced, pragmatic basis.
Number of Pages in PDF File: 27
Keywords: copyright, private law theory, obligatory
JEL Classification: K11
Date posted: March 2, 2012 ; Last revised: February 27, 2013
© 2016 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollobot1 in 2.344 seconds