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Jamming the Law: Improvisational Theatre and the ‘Spontaneity’ of Judgment


Sara Ramshaw


Queen's University Belfast

April 17, 2012

(2010) 14:1 Law Text Culture 133, Special Issue on Law’s Theatrical Presence: frame, rhetoric, image, body, appearance

Abstract:     
Modern ‘nonscripted’ theatre (NST) clearly owes much to improvisation. Perhaps less obviously, and more surprisingly, so too does modern law. In this article I will contend that, despite all the rules of evidence and procedure, statutes and legal precedents that fundamentally govern the decisions and actions of a judge, it is only through ‘spontaneity’ that judgment can take place. This claim may appear strange to those well-versed in the common law tradition which proceeds on the basis of past legal decisions, or reason where no precedent exists. NST, on the other hand, is assumed to rely heavily on the unprecedented and unreasoned. Therefore, when the public watches a NST production, it places its faith in the belief that what is being observed is entirely new and is being produced ‘on the spur of the moment’.

Number of Pages in PDF File: 29

Keywords: law, spontaneity, improvisation, theatre, jamming

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Date posted: April 18, 2012 ; Last revised: June 26, 2012

Suggested Citation

Ramshaw, Sara, Jamming the Law: Improvisational Theatre and the ‘Spontaneity’ of Judgment (April 17, 2012). (2010) 14:1 Law Text Culture 133, Special Issue on Law’s Theatrical Presence: frame, rhetoric, image, body, appearance. Available at SSRN: http://ssrn.com/abstract=2041387

Contact Information

Sara Ramshaw (Contact Author)
Queen's University Belfast ( email )
School of Law
Belfast BT7 1NN, BT7 1NN
Ireland
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