Enforcement and Control of Piracy, Copying, and Sharing in the Movie Industry
Indiana University - Department of Telecommunications
Sung Wook Ji
Michigan State University - Dept. of Telecommunication, Information Studies and Media
Laura R. Rochet
Indiana University Maurer School of Law
August 15, 2007
We review strategies that movie distributors have used to cope with piracy, copying and sharing of movies in the United States in four categories: ― "hard goods" commercial piracy, consumer theft of pay TV signals, consumer copying and sharing of videos and pay TV, and mostly in prospect ― Internet file sharing. In the past, distributors have mainly sought to raise costs of engaging in these activities by increasing legal jeopardy, advantaging anti-copy technology, and reducing original sources of supply. They appear to have effectively reduced or contained most piracy, copying and sharing of movies in the U.S., at least with analog media. Movie distributors are following similar strategies with digital media, including Internet file sharing. Digital media raise the stakes because of lower costs of copying or sharing and higher quality of outputs. Digital outputs are not always as high quality as source originals, however, and Digital Rights Management (DRM) technologies potentially improve distributor control. The movie studios now face technological, demand, and political uncertainties in the U.S., notably in maintaining or achieving technically compatible DRM systems to control file sharing and PPV/VOD copying. Implications for foreign markets and directions for research are discussed.
Number of Pages in PDF File: 49
Keywords: Copyright, Copying, Intellectual Property, Motion Picture, Piracy
JEL Classification: L82, O34Accepted Paper Series
Date posted: July 23, 2012
© 2014 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollo4 in 0.297 seconds