Abstract

 


 



Two Paths to Abstract Art: Kandinsky and Malevich


David W. Galenson


University of Chicago - Department of Economics; National Bureau of Economic Research (NBER)

August 2006

NBER Working Paper No. w12403

Abstract:     
Wassily Kandinsky and Kazimir Malevich were both great Russian painters who became pioneers of abstract art during the second decade of the twentieth century. Yet the forms of their art differed radically, as did their artistic methods and goals. Kandinsky, an experimental artist, approached abstraction tentatively and visually, by gradually and progressively concealing forms drawn from nature, whereas Malevich, a conceptual innovator, plunged precipitously into abstraction, by creating symbolic elements that had no representational origins. The conceptual Malevich also made his greatest innovations considerably earlier in his life than the experimental Kandinsky. Interestingly, at the age of 50 Kandinsky wrote an essay that clearly described these two categories of artist, contrasting the facile and protean young virtuoso with the single-minded individual who matured more slowly but was ultimately more original.

Number of Pages in PDF File: 25

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Date posted: August 13, 2006  

Suggested Citation

Galenson, David W., Two Paths to Abstract Art: Kandinsky and Malevich (August 2006). NBER Working Paper No. w12403. Available at SSRN: http://ssrn.com/abstract=923056

Contact Information

David W. Galenson (Contact Author)
University of Chicago - Department of Economics ( email )
1126 East 59th Street
Chicago, IL 60637
United States
773-702-8191 (Phone)
773-702-8490 (Fax)
National Bureau of Economic Research (NBER)
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Cambridge, MA 02138
United States
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