Streaming & Screaming: Intellectual Property Rights’ Survival in a 21st Century Music Industry

21 Pages Posted: 25 Feb 2021 Last revised: 27 Apr 2021

See all articles by Kyle Pettine

Kyle Pettine

University of San Diego, School of Law, Students

Date Written: February 8, 2021

Abstract

It’s difficult to understand how in 2018, artists took home only about 11.6% of the total industry revenue; the same industry that could not exist without them. This article explores the current state of the music industry and where it will go. It also aims to shed light on the issues plaguing musicians in the 21st century music industry, and how to help those being taken advantage of. Part I of this paper will explore the history of music distribution, to understand how the industry has changed over the years. This includes the transition from physical to digital medium distribution, and the leading figures throughout the music industry. Part II will look at copyright law’s effect on revenues and innovation from the perspective of different actors in the industry: Record Labels, Streaming Companies, and Producers. It will examine recent industry data to show how much and where the revenue is going, as well as who it is going to. Part III offers possible remedies and suggestions to the thriving, yet unfair and inequitable industry. These include producer-centered actions such as a public rights awareness campaign, lobbying, and more.

Keywords: music industry, copyright, copyright law, entertainment law, music streaming, intellectual property

Suggested Citation

Pettine, Kyle, Streaming & Screaming: Intellectual Property Rights’ Survival in a 21st Century Music Industry (February 8, 2021). San Diego Legal Studies Paper No. 21-005, Available at SSRN: https://ssrn.com/abstract=3790071 or http://dx.doi.org/10.2139/ssrn.3790071

Kyle Pettine (Contact Author)

University of San Diego, School of Law, Students ( email )

San Diego, CA
United States

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