Poetry and the Scope of Metaphor: Toward a Cognitive Theory of Literature
METAPHOR AND METONYMY AT THE CROSSROADS: A COGNITIVE PERSPECTIVE, Antonia Barcelona, ed., pp. 253-281, Mouton de Gruyter, 2000
20 Pages Posted: 24 Apr 2010
Date Written: 2000
Abstract
The question I raise in this paper is, 'In what ways can cognitive theory as it has been developed in recent years contribute toward a more adequate theory of literature?' To answer this question, I look at Emily Dickinson’s poem, 'My Cocoon Tightens,' to show how the general mapping skills that constitute the cognitive ability to create and interpret metaphor can provide a more coherent theory than the intuitive and ad hoc approaches of traditional criticism. I then look at another Dickinson poem, 'My Life had stood - a Loaded Gun,' to show how a cognitive metaphor approach can illuminate the insights, and the limitations, of traditional literary criticism. Finally, I show how the application of cognitive poetics can identify and evaluate literary style by discussing a poem generally believed to be by Dickinson but which proved to be a forgery, and end by comparing cognitive poetics to other cognitive approaches.
Keywords: cognitive poetics, cognitive mapping, aesthetic evaluation, Emily Dickinson, forgery
Suggested Citation: Suggested Citation
Do you have a job opening that you would like to promote on SSRN?
Recommended Papers
-
Conceptual Integration Networks
By Gilles Fauconnier and Mark B. Turner
-
Conceptual Projection and Middle Spaces
By Gilles Fauconnier and Mark B. Turner
-
Conceptual Integration and Formal Expression
By Mark B. Turner and Gilles Fauconnier
-
Blending as a Central Process of Grammar: Expanded Version
By Gilles Fauconnier and Mark B. Turner
-
Grounded Spaces: Deictic - Self Anaphors in the Poetry of Emily Dickinson
-
Conceptual Integration in Counterfactuals
By Mark B. Turner and Gilles Fauconnier
-
By Gilles Fauconnier and Mark B. Turner
-
Internalized Interaction: The Specular Development of Language and the Symbolic Order