Ethics, Aesthetics, and Law: The Third Man’s Three Prongs

Studies in Law, Politics, and Society, Vol. 46, pp. 169–201, 2008

35 Pages Posted: 2 Sep 2009

See all articles by Shulamit Almog

Shulamit Almog

University of Haifa - Faculty of Law

Amnon Reichman

University of Haifa - Faculty of Law

Date Written: 2008

Abstract

The chapter explores the role of law in society and its relation to ethical conflicts as reflected through the prism of the film The Third Man. By focusing on the complexities of life in post-war Vienna, the film exposes dilemmas that prevail in ordinary times and in functioning democracies as well. Our analysis suggests that one way to manage these dilemmas and balance the conflicting loyalties and interests they raise is to sustain open channels between the law and other narrative-generating practices from which normative stances are evaluated. The law-and-cinema discourse is one such channel and The Third Man presents, in our eyes, the vitality of that channel, due to its rich aesthetical language and its unique representation of the ethical tensions (and their consequences) in the modern era. 'War and its aftermath crush all individuals, however clever they may be.' – Sinclair (1988, p.1)

Keywords: The Third Man

Suggested Citation

Almog, Shulamit and Reichman, Amnon, Ethics, Aesthetics, and Law: The Third Man’s Three Prongs (2008). Studies in Law, Politics, and Society, Vol. 46, pp. 169–201, 2008. Available at SSRN: https://ssrn.com/abstract=1465312

Shulamit Almog (Contact Author)

University of Haifa - Faculty of Law ( email )

Mount Carmel
Haifa, 31905
Israel

Amnon Reichman

University of Haifa - Faculty of Law ( email )

Mount Carmel
Haifa, 31905
Israel

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