28 Pages Posted: 10 Feb 2013 Last revised: 14 Feb 2013
Date Written: February 8, 2013
One of the constitutive notions of intellectual property is the public domain. These are the ideas, notions and works that are usable by all where no person can invoke a right to block use by another.
We think of the public domain as open to all and in that sense owned by no one (or owned by all). But that ignores the question of how the public domain is actually accessed. We have many tools that control that access and in that sense, through those tools, we re-establish a shadow control regime for the public domain. And we are at the early stages of architecting competition in digital libraries and one piece of that process will be assessing the mechanisms for controlling access to the public domain.
Section I of the paper sketches out the emerging public domain. Section II considers three conceptual questions for structuring use of the public domain focusing on the extent to which the public domain should be viral; on whether we should insist that the public domain be accessed only through the original artifacts embodying it; and on whether private appropriability incentives for distribution of public domain scans match overall social interests. Section III turns to the tools for restricting use of the public domain, to copyright, contract, the DMCA and the CFAA. Each of these matters for access to the public domain and for competition over it. Section IV considers one narrow question regarding the relationship between copyright’s deposit requirement and a truly public public domain, while the last section briefly concludes the paper.
Keywords: copyright, DMCA, Computer Fraud and Abuse Act, online public domain repositories, OPDR, digital libraries
Suggested Citation: Suggested Citation
Picker, Randal C., Access and the Public Domain (February 8, 2013). University of Chicago Institute for Law & Economics Olin Research Paper No. 631. Available at SSRN: https://ssrn.com/abstract=2214176 or http://dx.doi.org/10.2139/ssrn.2214176
By Petra Moser