Copyright and the Profitability of Authorship: Evidence from Payments to Writers in the Romantic Period

35 Pages Posted: 11 Oct 2013

See all articles by Megan MacGarvie

Megan MacGarvie

Boston University School of Management; National Bureau of Economic Research (NBER)

Petra Moser

NYU Stern Department of Economics; National Bureau of Economic Research (NBER)

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Date Written: October 2013

Abstract

Proponents of stronger copyright terms have argued that stronger copyright terms encourage creativity by increasing the profitability of authorship. Empirical evidence, however, is scarce, because data on the profitability of authorship is typically not available to the public. Moreover at current copyright lengths of 70 years after the author's death, further extensions may not have any effects on the profitability of authorship. To investigate effects of copyright at lower pre-existing levels of protection, this chapter introduces a new data set of publishers' payments to authors of British fiction between 1800 and 1830. These data indicate that payments to authors nearly doubled following an increase in the length of copyright in 1814. These findings suggest that - starting from low pre-existing levels of protection - policies that strengthen copyright terms may, in fact, increase the profitability of authorship.

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Suggested Citation

MacGarvie, Megan and Moser, Petra, Copyright and the Profitability of Authorship: Evidence from Payments to Writers in the Romantic Period (October 2013). NBER Working Paper No. w19521, Available at SSRN: https://ssrn.com/abstract=2338893

Megan MacGarvie (Contact Author)

Boston University School of Management ( email )

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National Bureau of Economic Research (NBER)

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Petra Moser

NYU Stern Department of Economics ( email )

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New York, NY 10003
United States

National Bureau of Economic Research (NBER)

1050 Massachusetts Avenue
Cambridge, MA 02138
United States

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