Digitization, Copyright, and the Welfare Effects of Music Trade

48 Pages Posted: 8 May 2015

See all articles by Luis Aguiar

Luis Aguiar

European Commission - Joint Research Center - Digital Economy Unit

Joel Waldfogel

University of Minnesota - Twin Cities - Carlson School of Management; National Bureau of Economic Research (NBER); University of Minnesota - Twin Cities - Department of Economics

Date Written: December 3, 2014

Abstract

Since the launch of the iTunes Music Store in the US in 2003 and in much of Europe in the following years, music trade has shifted rapidly from physical to digital products, raising the availability of products in different countries. Despite substantial growth in availability, choice sets have not converged across countries; and observers point to copyright-related transaction costs as an obstacle to greater availability. Policy makers are now contemplating various copyright reforms that could reduce these trade costs. The possibility of these changes raises the question of how much benefit they would create for consumers and producers around the world. We address these questions with a structural model of supply and demand for music in 17 countries, which we employ to counterfactually simulate the effect of a European digital single market (the equivalent of a pan-European copyright regime) on the welfare of consumers and producers. We also simulate autarky and worldwide frictionless trade - in which all products are available in all countries - allowing us to quantify both the conventional gains from status quo trade as well as the maximum possible gains available to free trade. Existing and additional trade have different patterns of benefit to consumers and producers. Status quo trade benefits consumers everywhere, but European consumers have benefited more than North Americans. Existing trade has had large benefits to American producers but on balance small benefits to European producers. Additional trade would continue the pattern of consumers benefits with larger gains to European consumers but would reverse the pattern for producers. Greater availability of products resulting from easing of copyright restrictions would raise per capita gains to producers in Europe more than in North America. Finally, we find that a European single market would bring most of the benefits of worldwide frictionless trade to both consumers and producers alike.

Keywords: Digital Music, Digitization, Copyright, Trade.

JEL Classification: L82, F13, O34.

Suggested Citation

Aguiar, Luis and Waldfogel, Joel, Digitization, Copyright, and the Welfare Effects of Music Trade (December 3, 2014). Available at SSRN: https://ssrn.com/abstract=2603238 or http://dx.doi.org/10.2139/ssrn.2603238

Luis Aguiar (Contact Author)

European Commission - Joint Research Center - Digital Economy Unit ( email )

Edificio Expo - C/ Inca Garcilaso 3
Sevilla, 41092
Spain

HOME PAGE: http://www.luis-aguiar.com

Joel Waldfogel

University of Minnesota - Twin Cities - Carlson School of Management ( email )

19th Avenue South
Minneapolis, MN 55455
United States

National Bureau of Economic Research (NBER)

1050 Massachusetts Avenue
Cambridge, MA 02138
United States

University of Minnesota - Twin Cities - Department of Economics ( email )

271 19th Avenue South
Minneapolis, MN 55455
United States

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