What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence
Desmond Manderson, ed., Law and the Visual: Transitions and Transformations, University of Toronto Press (2017)
18 Pages Posted: 11 Mar 2017
Date Written: March 5, 2017
Abstract
In law’s visual economy our commitment to justice grows out of a renewed encounter with an interior libidinal source whose ongoing collective investment binds us to the nomos in which we live. We experience this corporeal bond in paintings, films, and video images on screens large and small. In the ethically inflected aesthetic of post-secular jurisprudence, justice is to law as beauty is to art. As distant as an abstract expressionist canvas, as close as any neighbor, or indeed any screen on which the neighbor becomes real to us. That is where we behold the source and instantiation of law’s judgment and authority.
Keywords: justice, art, visual economy, post-secular, iconology, law and humanities, synaesthesia, law and film, visual jurisprudence
JEL Classification: B50, Z10, Z11, K19, K39
Suggested Citation: Suggested Citation