Some Economics of Movie Exhibition: Increasing Returns and Imax Revenue Premium

48 Pages Posted: 14 May 2021

See all articles by Pascal Courty

Pascal Courty

University of Victoria; European University Institute - Economics Department (ECO); Centre for Economic Policy Research (CEPR)

Date Written: May 2021

Abstract

We strongly reject the hypothesis of theater design revenue neutrality. Instead, we find large increasing returns in revenue from adding auditoria up to 9 auditoria, increasing returns from adding seats up to an intermediate seating capacity of about 120 seats, beyond which decreasing returns prevail, and a large revenue premium to having an Imax auditorium. These revenue gains are largely due to differences in capacity utilization rates, and to a lower extent to differences in screening intensity (more showings per screen), while price differences play a negligible role. We discuss various mechanisms that may rationalize deviations from theater design neutrality. We conclude that a large fraction of theaters have too few auditorium and too many seats per auditorium, although this is less so for recently built theaters. These violations of profit maximization are likely explained by the long term, irreversible, and risky nature of theater design choices.

JEL Classification: D2, L1, L82, Z11

Suggested Citation

Courty, Pascal, Some Economics of Movie Exhibition: Increasing Returns and Imax Revenue Premium (May 2021). CEPR Discussion Paper No. DP16113, Available at SSRN: https://ssrn.com/abstract=3846225

Pascal Courty (Contact Author)

University of Victoria ( email )

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Victoria, British Columbia V8P 5C2
Canada

European University Institute - Economics Department (ECO) ( email )

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50133 Florence
Italy
+39 055 4685 925 (Phone)
+39 055 4685 902 (Fax)

Centre for Economic Policy Research (CEPR)

London
United Kingdom

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