The Patent Law Origins of Science Fiction

53 Pages Posted: 23 Dec 2022 Last revised: 27 Mar 2024

See all articles by Camilla Alexandra Hrdy

Camilla Alexandra Hrdy

Rutgers, The State University of New Jersey - Rutgers Law School; Yale University - Information Society Project

Daniel Harris Brean

Independent

Date Written: December 1, 2022

Abstract

This article reveals the surprising role of patent law in shaping the literary genre of science fiction. Drawing on previously unpublished sources, the article shows that Hugo Gernsback—the so-called “father” of science fiction who started the first all-science-fiction magazine in 1926—believed that works of science fiction are analogous to patents. Like patents, science fiction stories can disclose useful information to the public about new inventions. Like patents, science fiction stories can influence future inventors and drive innovation. Gernsback went even further, positing that some of the inventions depicted in science fiction should themselves be patentable. In 1952, he urged Congress to reform the Patent Act to make so-called “Provisional Patents” available to science fiction authors who depicted major technological developments before their time. He argued that science fiction authors who filed for Provisional Patents should get an extra thirty years in which to show their invention worked. If they could do so, they would thereafter be able to obtain an ordinary patent, to last another twenty years.

Many will find Gernsback’s proposal deeply problematic from the perspective of patent policy, and rightly so. Granting patent rights too early in an invention’s lifecycle creates new and unjustified opportunities to hold up innovation. A science fiction author who obtained a Provisional Patent for a theoretical invention could crawl out of the woodwork half a century later and sue the very people who figure out how to make the invention work. Gernsback’s ideas for patent reform were half-baked and, the article shows, probably self-serving. Nonetheless, exploring the connection he cultivated between patents and science fiction yields many surprising insights for science fiction and for innovation policy. Science fiction has more in common with patents than it might seem. Although science fiction does not typically impart enough information to “enable” others to make and use the inventions it describes, science fiction can inspire readers and supply them with a motivation—in Gernsback’s words, a “stimulus”—to implement science fictional inventions in the real world. Science fiction, like patents, can play a role in promoting innovation.

Keywords: patents, science fiction, Hugo Gernsback

Suggested Citation

Hrdy, Camilla Alexandra and Brean, Daniel Harris, The Patent Law Origins of Science Fiction (December 1, 2022). Columbia Journal of Law & the Arts, V. 47, p. 1, 2024, Available at SSRN: https://ssrn.com/abstract=4291271 or http://dx.doi.org/10.2139/ssrn.4291271

Camilla Alexandra Hrdy (Contact Author)

Rutgers, The State University of New Jersey - Rutgers Law School ( email )

217 N. Fifth Street
Camden, NJ 08102
United States

Yale University - Information Society Project ( email )

New Haven, CT

Daniel Harris Brean

Independent ( email )

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