"Rise of Found Footage in Horror"

Abstract

This paper delves into the profound impact of found footage in horror films on storytelling techniques, audience engagement, and the cinematic landscape. It explores the historical origins, key characteristics, and influential pioneer films like The Blair Witch Project (1999) and [REC] (2007). The research analyzes the rise of found footage within the horror genre, examining its immersive qualities, unreliable narration, and low-budget production techniques. It also investigates the pioneers' influence on the genre, innovative marketing strategies, and the international appeal of found footage. The paper discusses mainstream acceptance, subgenres, and hybrids, alongside challenges such as overuse and ethical concerns. Furthermore, it explores contemporary trends, including the incorporation of emerging technologies like virtual reality (VR) and augmented reality (AR). The abstract concludes by highlighting the enduring appeal and relevance of found footage in horror cinema, while also suggesting areas for further research and exploration. 

Keywords: Horror Film, Rise of Found Footage in Horror, Netra Khattri, Lindenwood University, found footage film, The Blair Witch project, REC 2007, Found footage horror cinema, low-budget production technique