On Andy Warhol's Electric Chair

32 Pages Posted: 1 Dec 2005  

I. Bennett Capers

Brooklyn Law School

Abstract

This essay explores the dialogic relationship between art and the law, and argues that an examination of Andy Warhol's Electric Chair paintings, and our collective response to the paintings, broadens the legal discourse on capital punishment in this country. The essay contends that the paintings, and their iconic status in our culture, call attention to our fascination with death in general, to state-administered death in particular, to the spectacle of capital punishment, and to our history of obtaining pleasure by gazing upon death. It also argues that Warhol poses an important question, one that implicates race and gender and religion and disability and age and comfort: Who are we comfortable visualizing in the chair?

Keywords: capital punishment, criminal justice, culture, art

Suggested Citation

Capers, I. Bennett, On Andy Warhol's Electric Chair. California Law Review, Forthcoming; Hofstra Univ. Legal Studies Research Paper No. 05-27. Available at SSRN: https://ssrn.com/abstract=861225

I. Bennett Capers (Contact Author)

Brooklyn Law School ( email )

250 Joralemon Street
Brooklyn, NY 11201
United States

HOME PAGE: http://www.brooklaw.edu/faculty/directory/facultymember/biography.aspx?id=bennett.capers

Paper statistics

Downloads
692
Rank
28,754
Abstract Views
8,587